Showing posts with label garlic. Show all posts
Showing posts with label garlic. Show all posts

Thursday, September 25, 2014

Spicy Flavor

Spicy Flavor
Oil  6" x 6"
$100.00 + $10.s/h

Day 25 in the 30 in 30 Days Challenge
This is the last of the 4 garlic paintings that I recently finished.  It was a fun little series which I think I'll do again sometime.  Because they were painted on different days in different light, but on the same surface, it really got me looking at the grays.  A great exercise.

Wednesday, September 24, 2014

Fleshy Sections

Fleshy Sections
Oil  6" x 6"
$100.00 + $10. s/h

Day 23 in the 30 in 30 Challenge

This is another title that I found while Googling "garlic".  I love the sensual sound of it and think that it is just the right description!  What would you title a garlic painting?

Saturday, September 20, 2014

Prince Of The Night

Prince Of The Night
Oil  6" x 6"
$100.00
SOLD

If you read what I wrote yesterday in my blog, you'll know where I got my title!!

For those of you who live here in Colorado Springs, I hope that today and tomorrow, Saturday and Sunday September 20th and 21st you can stop by Summerland Gardens, 124 E. Cheyenne Blvd, 80906 where Dottie Lirette and I will be in the upstairs gallery/studio as part of the Pikes Peak Studio Tour.  We have lots of new paintings as well as marked down oldies but goodies!  Hope to see you there!

Friday, September 19, 2014

Pungent Flavor

Pungent Flavor
Oil  6" x 6"
$100.00
SOLD

I just finished several little paintings of garlic.  They were so much fun to paint!  They look kind of like little round bodies, some of which have eaten too much great pasta flavored with garlic!  My husband does most of the cooking and I love how the kitchen smells when he's sautéing the garlic.

Painting all of these garlics got me thinking about vampires and why we associate garlic with vampires and Dracula.  So, as I often do, I Googled it to find out.  Here's what I found on Garlic 101:

"The most famous of all garlic folklore is its association with vampires. This was popularised in the West by Bram Stoker in the classic gothic novel Dracula.
In Dracula, van Helsing uses garlic to protect Lucy from the vampire Count by placing it in her room and around her neck:
We went into the room, taking the [garlic] with us. The Professor's actions were certainly odd and not to be found in any pharmacopeia that I ever heard of. First he fastened up the windows and latched them securely. Next, taking a handful of the flowers, he rubbed them all over the sashes, as though to ensure that every whiff of air that might get in would be laden with the garlic smell. Then with the wisp he rubbed all over the jamb of the door, above, below, and at each side, and round the fireplace in the same way.
It all seemed grotesque to me, and presently I said, "Well, Professor, I know you always have a reason for what you do, but this certainly puzzles me. It is well we have no sceptic here, or he would say that you were working some spell to keep out an evil spirit."
"Perhaps I am!" He answered quietly as he began to make the wreath which Lucy was to wear round her neck.

Why Does Garlic Repel Vampires?

So, should we all be mixing heads of garlic with our Halloween pumpkin stew? Can it ward off the undead vampire princes of the night?
The reputation of garlic as a vampire repellent goes back long before Stoker's relatively recent gothic creation. Why should this be? It's true that garlic has long been associated with health and life in general, however why should it ward off vampires specifically rather than all undead monsters?
There are many competing theories as to the origin of the vampire story. Many have to do with disease.
A recent theory tries to associate vampirism with rabies. This works well in general however it fails to explain convincingly the position of garlic in vampire lore. Instead it relies on the idea of rabies sufferers becoming fixated on its smell - an idea that could just as likely apply to the smell of coffee, not a known anti-vampire tool!
Another theory is that vampirism can be seen as symbolic of mosquito bites - and garlic is known in folklore as a natural mosquito repellent.
Mosquitoes suck blood and in doing so spread disease. So do vampires. Some of the symptoms of malaria - exhaustion, fever, anemia - are reminiscent of the reputed effects of being bitten by a vampire without being totally drained or turned. Garlic is a known insect repellent which reportedly works well against mosquitoes, perhaps people saw the similarity with vampires, especially when in their bat form.
This would fit well with the vampire folklore and gothic fiction and is my personal favourite theory.
Of course, the $64,000 question is: does it actually work against vampires? Would it really protect us from the undead?
Let's hope we never have to find out...

Saturday, February 21, 2009

More Garlic

6 x 6 oil on canvas
$100.00 + $10. s/h
contact me if interested

I used a different garlic, different light, different time of day, different fabric from yesterdays' painting. These differences created a completely different mood. It really makes a difference!

Friday, February 20, 2009

Garlic Pressed

I recently came up with an easy way to hold my daily painting small canvases. As you see above,
I've taken a 9 x 12 cardboard panel (I used the back panel of a canvas pad) and taped a strip of 1/2 " wide foam board across the bottom. Then I set the canvas on that ledge and put another 1/2 " foam board strip across the top of the panel. I clip the strip at both edges with heavy clips. Because of the cushiony foam inside of the foam board, you push down a little before clipping, and it really holds the canvas well. It's then easy to carry outside to photograph. I've put vertical strips of masking tape at the edges where a 6 x 6 and a 6 x 8 canvas would hit. This just protects the back panel a little. These are easy to set on my easel. I've tried using push pins and duct tape, and like this method. I now have several of these, so I can leave the painting on until it's dry.



6" x 6" oil on canvas panel
$100.00 + $10. s/h
contact me if interested

I wanted to work with reflective light on white. I have a blue fabric on the right side and a pinkish one on the top-left side. It really exaggerates the reflections. And I wanted to work with a light subject on a light background. I usually go for more contrast.