Ranch Rocker
plein air oil 8" x 10"
$195.00 + $10. s/h
click here for Paypal
I recently participated in the South Park Plein Air Arts Celebration in Fairplay, CO. This is a wonderful plein air event. The town of Fairplay organizes it so well, providing food every day, arranging painting excursions to private ranches, & having evening gatherings.
This rocker was painted the first morning out on a ranch about 20 minutes from Fairplay. The ranch family has lived there for 4 generations. After walking all around the ranch and being a bit overwhelmed by the views, trees, buildings, etc. I focused in on this old rocker. I could imagine the pleasure the "rockee" would have enjoying his view and resting after a hard days' work.
Showing posts with label Colorado ranch. Show all posts
Showing posts with label Colorado ranch. Show all posts
Tuesday, September 20, 2016
Saturday, October 31, 2015
Nearby Ranch
Nearby Ranch
plein air oil 9" x 12"
click here for Paypal
$295.00 + $10. s/h
I did this painting from just about the same spot as the one in my last post. I just turned my easel a bit and had a great view of another ranch. These two ranches were adjacent to the ranch that we were visiting. As you can see, there wasn't much sun, so there are no strong lights or shadows. But, nevertheless, any day painting is a great day. Painting theses ranches allowed me to mix lots of greens!
As I often do when looking for a painting title I use Google. So, I googled "hay". I ended up on farm collector.com (which I have to admit I didn't know existed) and learned all of this:
From Farm Collector.com:
plein air oil 9" x 12"
click here for Paypal
$295.00 + $10. s/h
As I often do when looking for a painting title I use Google. So, I googled "hay". I ended up on farm collector.com (which I have to admit I didn't know existed) and learned all of this:
From Farm Collector.com:
Today, petroleum-based products are essential to farm operations. But for thousands of years, fodder – specifically, hay – was the most critical form of fuel on the farm. Up to the late 18th century, the process of making hay remained essentially unchanged. By the 1850s, though, the impact of the Industrial Revolution on farming equipment history was unmistakable.
In this article, the first segment of a three-part series on hay equipment (see Part 2 and Part 3), the focus is on mowers. Farmers who still cut hay with sickles or scythes well into the mid-1800s were quick to embrace new technology. One of the most labor-intensive chores a farmer faced, the harvest and storage of hay was hard, hot and dusty work. Mowers were the first step toward making that job less brutal and more productive.
References to cutting and drying grass for fodder are found as far back as Biblical times. Up to the late 18th century, though, the process of manual mowing remained essentially unchanged.
A difficult evolution
Robert L. Ardrey compiled the history of companies and inventors who played key roles in the history of American agriculture in his 1894 book American Agricultural Implements. Ardrey acknowledged that early mower inventors had a difficult time moving away from their attempts to imitate the cutting motion involved in the manual harvest of hay.
“It was this natural primitive movement that the first constructors of both reapers and mowers tried to imitate or reproduce in their machines,” Ardrey wrote. “Early American inventors of mowers persistently endeavored to make practically operative this original principle. Indeed, it was many years before the rotary or scythe-curve theory of cutting was abandoned.”
Peter Gaillard, Lancaster, Pa., is credited with conceiving the idea of mowing grass with horse power in 1812. Several crude reaping machines were produced prior to that time in England, but none proved practical enough to come into general use. In his research, Ardrey found that the early interchangeable use of the words “mow” and “reap” had already made it difficult to clearly identify the origin of the earliest mowers.
“As reapers and mowers belong to the same original general class – harvesters – and have so many features in common,” Ardrey wrote, “it is somewhat difficult at times to draw the line between them. In many of the older patents they are described as machines for reaping and mowing, having been designed for both purposes. And in some specifications they are described first as one and then as the other without distinction of purpose. So one cannot always clearly understand to which division of the general class the inventor intended his machine, or to which it really belonged.”
Jeremiah Bailey, Chester County, Pa., patented a mower (or grass-cutting machine) in February 1822. It was supported by two wheels on different axles and was said capable of mowing 10 acres per day. John Wadsworth, Portsmouth, R.I., obtained a patent in 1824 for a horse scythe. A year later, in 1825, Ezra Cope and Thomas Hoopes Jr., both also of Chester County, applied for a patent on a mowing machine similar to Bailey’s. Their machine was more simply constructed and said to be “of better form.”
Thursday, January 31, 2013
Chief
Chief
29 of 30
Oil 16" x 20"
Commission
I posted several days of steps of this painting during the past month. Once he was just about done I looked at him for several days and then fixed a few things on his body. Now he is all done and ready to be mailed off to his owner. As I said, I loved painting him. I had pictures of him all over my studio and it's been fun to hang out with him!
After my first posting with just Chief and a loose background, I got an email from an author inquiring about using him on the cover of her next, 8th, book. And while it's not going to happen (he's too western and light) I was thrilled to be asked. You just never know who sees your art, who likes your art. That's a great thing about the internet. If not for the internet I wouldn't have received this commission, received an inquiry, met the people with whom I blog. We do live in a great time!
29 of 30
Oil 16" x 20"
Commission
I posted several days of steps of this painting during the past month. Once he was just about done I looked at him for several days and then fixed a few things on his body. Now he is all done and ready to be mailed off to his owner. As I said, I loved painting him. I had pictures of him all over my studio and it's been fun to hang out with him!
After my first posting with just Chief and a loose background, I got an email from an author inquiring about using him on the cover of her next, 8th, book. And while it's not going to happen (he's too western and light) I was thrilled to be asked. You just never know who sees your art, who likes your art. That's a great thing about the internet. If not for the internet I wouldn't have received this commission, received an inquiry, met the people with whom I blog. We do live in a great time!
Wednesday, January 23, 2013
Study of Chief #2
Study of Chief #2
20 of 30
Oil 8" x 10"
SOLD
This is my second study of Chief. With this one I wanted to try a different background and paint the other side of him. I also loved the photos I had of him running. As you've seen, ultimately I painted him from this side, but from a different picture.
Monday, January 21, 2013
Study of Chief #1
Study of Chief #1
19 of 30
Oil 6" x 8"
SOLD
19 of 30
Oil 6" x 8"
SOLD
I've been posting steps of my recent commission of Chief. Before I even began this painting I did several studies of him. It helped me get to know the horse, his color, proportions, plan the background, etc. It also helped me work out the composition. The buyer originally had a different idea than what I'm now painting in mind. She sent me lots of photos and I worked from those, cutting and pasting. When I came up with the composition of the large piece that I'm now working on, I emailed that to her and suggested that for the painting. She agreed. Sometimes you know when a painting's going to work. The next time I have a commission I'll suggest in advance that I'd like some artistic freedom. I hope I have as great a client as I now have!
I'm happy with this study and happy how the painting itself is turning out. I've decided to be like the hosts on HGTV shows who send their clients out the door for the last part while they put together the rooms. I'm not going to show the next steps until the whole painting is done.
And, while I've been participating in the 30 in 30 challenge, I gave myself Sunday as a day of rest.
Saturday, January 19, 2013
On My Easel..3
On My Easel..3
18 of 30
Oil 16" x 20"
Commission
It was time to work on the background before I could continue with the subject. Every color and value of an object is only correct when compared to the color and value next to it. So, I couldn't continue with Chief himself until I knew the colors and values around him were accurate.
Friday, January 18, 2013
On My Easel..2
On My Easel..2
17 of 30
Oil 16" x 20"
Commission
I'm adjusting the 30 in 30 challenge to work for me. One of my goals is to paint more large pieces, and I can't do that everyday. But, I can paint almost everyday. So, I'm showing some of the daily progress on this commission.
I've loved painting this! I paint cows, bison, but I don't paint lots of horses. I'm not around horses that often, and they say paint what you know. Well, they also say push yourself. (Not sure who "they" are!!) So, when I got this commission I decided to go ahead. I've loved the challenge. I think the hardest part about painting someone's horse, is just that. The horse belongs to them and if some body part is a bit different, they'll notice. Which is why I paid close attention while drawing him. I used grid lines and Bargue references. I don't usually grid drawings. Mentally using Bargue reference lines and points is always helpful and useful in any drawing.
Saturday, January 5, 2013
"How 'Bout Those Cowgirls?"
"How 'Bout Those Cowgirls?"
4 of 30
8" x 8" Oil
$195.00 + $10. s/h
Often when I'm looking for a painting title I use google. So, for this one I googled "cowgirl lyrics" and got this title from the song Kamikaze Cowgirl by Larry Joe Taylor.
This piece is from my time painting at the Medano-Zapata Ranch in southern Colorado last June. I have several paintings from then that will be hanging at the Colorado Springs Airport in the Ranchlands Show from January through March. So, if you happen to be flying in or out of the Springs, please look for all of the work from all of the participating artists.
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